Bob Ross Oil Painting Technique - Frequently Asked Questions

Bob Ross Oil Painting Method – Regularly Asked Queries

The following is a record of often requested queries about the BOB ROSS Oil Painting Approach and some instruction about the use and care of the elements.


This approach refers to the softening of challenging edges and most visible brush strokes by mixing the wet oil paint on the canvas with a clean up, dry brush. In blending, an now painted area is brushed extremely evenly with criss-cross strokes or by gently tapping with the corner of the brush. This presents colours a tender and purely natural visual appeal. Not all oil paints are ideal for this procedure – most are much too comfortable and are inclined to smear. Only a thick, firm paint is ideal for this approach.


To mix paints to a marbled impact, location the different colored paints on the mixing place of your palette and use your palette knife to choose up and fold the paints jointly, then pull flat. Streaks of each individual coloration should really be seen in the combination. Do not over mix.


When mixing paints for application more than thicker paints by now on the canvas, specifically when including spotlight shades, skinny the paint with LIQUID WHITE, LIQUID Distinct or ODORLESS THINNER. The rule to remember right here is that a slender paint will adhere to a thicker paint.


Painting with the damp on damp technique demands recurrent and complete cleaning of your brushes with paint thinner. An empty one pound espresso can is best to maintain the thinner, or use any container close to 5″ in diameter and at-least 6″ deep. Area a Bob Ross Display in the bottom of the can and fill with odorless thinner approximately 1″ higher than the display. Scrub the brushes bristles from the monitor to remove paint sediments which will settle on the base of the can.

Dry your much larger brushes by carefully squeezing them against the inside of of the coffee can, then slapping the bristles from a brush beater rack mounted inside of of a tall kitchen trash basket to eliminate the remainder of the thinner. Smaller brushes can be cleaned by wiping them with paper towel or a rag (I hugely advise making use of Viva paper towels since they are incredibly absorbent). Do not return the brushes to their plastic bags immediately after use, this will trigger the bristles to turn into limp. In no way clear your Bob Ross brushes with cleaning soap and h2o or detergent as this will damage the purely natural strength of the bristles. Keep your brushes with bristles up or lying flat.

Implementing LIQUID WHITE:

Use the 2″ brush with prolonged, business vertical and horizontal strokes across the canvas. The coat of Liquid WHITE must be really, incredibly skinny and even. Apply just ahead of you start out to paint. Do not make it possible for the paint to dry right before you start out.


I recommend working with a palette at the very least 16″x20″ in size. Consider arranging the shades around the outer edge of your palette from gentle to darkish. Leave the middle of the palette for mixing your paints.


To thoroughly load the within bristles of your brush first keep it perpendicular to the palette and function the bristles into the pile of paint. Then holding the brush at a 45 degree angle, drag the brush throughout your palette and away from the pile of paint. Flipping your brush from aspect to facet will insure each sides will be loaded evenly.

(Note: When the bristles occur to a chiseled or sharp flat edge, the brush is loaded properly.)

For some strokes you may want the end of your brush to be rounded. To do this, stand the brush vertically on the palette. Firmly pull towards you doing the job the brush in one particular way. Raise off the palette with every stroke. This will tend to round off the finish of the brush, paint with the rounded stop up.


Position the idea of your brush into the can of LIQUID WHITE, LIQUID Distinct or ODORLESS THINNER let only a smaller amount of medium to continue to be on the bristles. Load your brush by gently dragging it by the emphasize colors, repeat as essential. Gently faucet the bristles versus the palette just ample to open up up the bristles and loosen the paint.


With your palette knife, pull the mixture of paint in a slender layer down across the palette. Holding your knife in a straight upward position, pull the prolonged performing edge of your knife diagonally throughout the paint. This will create a roll of paint on your knife.

WHAT IF I HAVE Never PAINTED Right before?

There are no wonderful mysteries to painting. You want only the drive, a several fundamental procedures and a small observe. lf you are new to this strategy, I strongly counsel that you go through the overall section on “Ideas AND Tactics” prior to starting up your initial painting. Consider every single painting you build as a learning practical experience. Include your own particular contact and concepts to each and every painting you do and your confidence as nicely as your means will enhance at an unbelievable level.

WHAT PAINT Should really I USE?

The BOB ROSS procedure of painting is dependent upon a distinctive firm oil paint for the foundation shades. Colours that are applied principally for highlights (Yellows) are created to a thinner consistency for less difficult mixing and application. The use of correct equipment can help assure the best attainable final results.

Liquid Apparent is a notably thrilling component for soaked-on-damp painting. Like Liquid White/Black, it creates the vital sleek and slippery floor. Moreover, Liquid Clear has the gain of not diluting the intensity of other colors particularly the darks which are so critical in painting seascapes. Try to remember to use Liquid Clear really sparingly! The inclination is to utilize more substantial quantities than vital since it is so tricky to see.

13 shades we use are listed down below:

*Alizarin Crimson
*Sap Environmentally friendly, Vivid Pink
*Dark Sienna
*Pthalo Environmentally friendly
Cadmium Yellow
Titanium White,
*Pthalo Blue,
*Indian Yellow
*Van Dyke
*Midnight Black
Yellow Ochre
*Prussian Blue
(*suggests hues that are transparent or semi-transparent and which may well be utilised as beneath paints where by transparency is demanded.)

HOW DO I Mix Colors?

The mixing of hues can be a person of the most worthwhile and pleasurable sections of painting, but might also be a single of the most feared processes. Devote some time to mixing different coloration combinations and develop into familiar with the essential shade mixtures. Research the colours in mother nature and exercise duplicating the hues you see close to you every day. Inside a quite limited time you will be so relaxed mixing hues that you will glimpse ahead to each painting as a new obstacle.


Possibly the #1 difficulty skilled by men and women when to start with trying this approach and the big trigger for disappointment revolves about the use of products designed for other styles of painting or products not intended for artwork at all (i.e. house painting brushes, slim soupy paints, etcetera.).

All of the paintings for this method were designed utilizing Bob Ross paints, brushes and palette knives. To accomplish the most effective outcomes from your attempts, I strongly advise that you use only products developed particularly for use with the Bob Ross moist-on-moist approach.


Drying time will change relying on many aspects these types of as warmth, humidity, thickness of paint, painting surface area, model of paint employed, mediums made use of with the paint, and many others. Another factor is the particular person shades applied. Different colors have various drying situations (i.e., ordinarily Blue will dry really rapid although hues like Red, White and Yellow are pretty gradual drying). A superior regular time for an oil painting to dry, when painted in this approach, is roughly one week.


Varnishing a painting will defend it from the features. It will also support to hold the colors additional vivid. lf you make a decision to varnish your painting, I suggested that you hold out at minimum six months. It will take this lengthy for an oil painting to be wholly remedied. Use a fantastic quality, non-yellowing photo varnish spray. I personally spray my paintings after about 4 weeks and have not had any issues.

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